shit Skrzyneckis poems Feliks Skrzynecki and Postcard both explore complex thinker about belong. Both poems suggest that belonging comes from a federation to pull and people, people can choose to belong and that belonging can be modified over time. Feliks in Peter Skzyneckis poem Feliks Skzynecki feels a coda lodge to places and people. He is describe at the beginning of the poem as loving his garden like an only child, sweeping its paths/ Ten multiplication around the world. The simile and hyperbole evoke a sniff out of his dedication to his garden and his paternal feelings towards it, connecting to this place like a father connects to an only child. His soul of belonging also comes from his close connection to his Polish superstars who reminisced/ About farms where paddocks flowered/ [â¦] Horses they bred [â¦]. The cumulation of positive verbs conveys a sense of their nostalgia and shared pride in their cultural hereditary pattern; a heritage that connects them together and fosters a sense of belonging.
Contrastingly, in Postcard, Peter Skrzynecki does not feel the same sense of connection to his homeland that his father feels, but rather feels alienate and disengaged.
The postcard of Warsaw sent by a friend Haunts him since its arrival. The eerie connotations of haunts and its position on a line by itself portray the personas unease and uncertain connection to this place. This contrasts to his friends perception that his parents go forth react positively to this postcard, feeling a sense of connection to it: He requests I show it/ To my parents. The separation of I and his parents on a separate line suggests their different perceptions to the postcard. This alienation from this place comes from his lack of direct experience of it, contrasting with Felikss time spend in his
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