To what extent does Dickens seek to demonstrate truth through non-realistic and symbolic strategies of representation as well as through realism?

Charles Dickens manages to combine in his works wonderful story-telling, humour, pity and irony with severe social criticism and acute reflectivity of people and places, both real and imagined. His Hard Times and prominent Expectations atomic number 18 good proof for the above statement. Both are written in the second finis of Dickens literary career, a period marked with pessimism, cynicism and indignation.

Dickens demonstrates exactly that dark truth for the period in his two novels. He achieves his precise observation and example of truth through non-realistic and emblematic strategies as well as through realism.

Hard Times begins with a short introduction. The tantrum is a classroom in which Dickens depicts the important themes of his hard times; a contemporaneous debate on the nature of learning, education and knowledge. The narrative electrical capacity is pretty short but its imagery is very intense. The definition of the classroom is definitely a satire, criticism on utilitarianism and mistakable philosophies that suggest facts to be more important that imagination. As the verbaliser exclaims Now, what I want is Facts!, the teacher believes that the formation of the childs mind is grow in the study of facts. The novel is divided into three books: Sowing, Reaping and Garnering. The symbolic agricultural motif shows the truth about the utilitarian doctrine used in education.



The names of the parts are the phases that every(prenominal) farmer knows to be necessary for the growing of crops; only the instance here is growing facts in the childs mind.

Similar to Hard Times Dickens afterwards novel outstanding Expectations is divided in three parts. just here the different parts represent the three phases of the protagonists expectations. beingness a retrospective, autobiographical, realistic fiction with moral focus Great Expectations may be called a bildungsroman. The bildungsroman begins with the voice of the old billet who...

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