The Red Room

‘‘I am not that cleaning woman’’ and ‘‘ sequestered code’s Changed’’ are both protest poems. rationalize what the protests are and look how each poem get tos its arguments. ‘‘I am not that woman’’ by Kishwar Naheed and ‘‘ cipher’s Changed’’ by Tatumkhulu Afrika are protesting intimately inequality, discrimination and sexism. Kishwar Naheed was born in India in 1940 and is whizz of the better known feminists poets of Pakistan. Naheed moved to Lahore in Pakistan during 1947 due to the partition of the sub-continent. She explained her piece of music as an travail to redefine the man-woman relationship. Her important protests in ‘‘I am not that woman’’ is how woman are hard-boiled in her acculturation and unhappy virtually the sexism prevalent in her culture. Tatumkhulu Afrika was born in Egypt in 1920 but was fostered in reciprocal ohm Afr ica at an archean age. His father was an Arab and his mother was Turkish. He participated in the uprising against apartheid which was about clarification of skin colour of nation in territory 6. In 1987, Afrika was arrested for ‘terrorism’ and was banned direct writing and utterance in public places for five years.

His main protest in ‘‘Nothing’s Changed’’ is the discrimination and segregation between sable and white people during apartheid which he feels simmer down exists in same form today. In this essay, I pass on be comparing and contrasting both poems on how th ey fetch their arguments. In the first s! tanza, the mood is neutral in ‘‘Nothing’s Changed’’. It starts off about st matchlesss clicking under he’s heels and then it begins describing he’s surroundings. The structure of the first stanza is that it is one long sentence. Also it is in the present tense. The effect this has is that it seems that the poet is re-living his connector as he writes and it feels as if we are taking the pilgrimage with...If you want to get a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper